NONFiction / CRAFT |
Nonfiction
A powerful, but often overlooked tool in the writer's kit, interviewing as part of the creative process offers a broad range of literary applications and adds insight and authenticity to every project. Through writing exercises, helpful handouts, and constructive conversation with practical tips, this session's goal is to share with attendees the challenges and rewards of interviewing as a research technique and to explore how developing one's skills as an interviewer can contribute to more success as an author. From inspiration to polish, the interview process, by applying a writer's curiosity and desire to communicate, provides a real-life opportunity to get the story right. Tailored for nonfiction writers, fiction writers may also benefit from the techniques discussed. BRENT LEWIS is the author of the recently published Stardust by the Bushel: Hollywood on the Chesapeake Bay's Eastern Shore, which spotlights filmmaking on Delmarva, as well as two nonfiction books about Kent Island and the indie novel, Bloody Point1976. A fan of history and pop culture, Brent is a native Eastern Shoreman with deep regional roots. An oral historian, documentarian, and playwright, he has written for magazines, newspapers, and newsletters. His long established blog, easternshorebrent.com, is a popular storehouse for readers interested in Chesapeake Bay storytelling, history, and memoir. 10:00AM – 10:50AM There is a story inside you that only you can share. The story that you personally lived, felt, heard, and lived through is trying to get out! But it feels too painful. Going through traumatic circumstances can really make you feel like hiding yourself away to guard against more pain. Faith Addair lived through the terrifying journey of her son's heroin addiction and recovery and for years felt like she couldn't talk about it. In the end, she knew that she had to share her story and share her victory. Writing her memoir became an outlet for peace and inspiration for others and she looks forward to helping others tell their story of trauma to triumph!
11:00AM – 11:50AM Researching a creative nonfiction book is a daunting but essential part of any author's process. It's also loaded with pitfalls ranging from scope creep to burn-out. This session offers authors strategies to develop a roadmap for handling research so that it deepens their book without overwhelming the whole project. We will discuss critical questions around ensuring that your research supports your thesis, how to balance writing with research, and more. We will also touch on AI as a research tool. Authors will gain a clear understanding of how to design a research plan to enrich their book. We'll examine commercial nonfiction and researched memoir.
1:30PM – 2:20PM True crime is an immensely popular genre today. Just look at the sheer number of podcasts, documentaries, YouTube videos, articles, and books; it's massive and rakes in millions and millions of dollars. But this genre is not without its pitfalls, rabbit holes, and bad takes. In this session, Stephanie will briefly discuss the history and ethics of the true crime genre as well as offering tips on research and organization. As a true crime writer, Stephanie will give a candid look at her own experiences in this field. Included will be a Q&A session and suggested reading lists.
2:30PM – 3:30PM How to write effective nonfiction for business purposes including books, articles, blog and social media posts and more will be explored. Paul will present how to effectively promote your business and industry, grow your social media followership, and use thought leadership to engage the C suite of customers through practical explanation, demonstration and hands on writing activities for participants. Plus he'll show how to successfully create compilation works (books and articles) with multiple contributors and transition to podcasting, paid speaking and sponsored book giveaways and signing events.
| Craft
Writers want to populate their books with more diverse characters, to better reflect reality as readers know it, and to create a richer, deeper world in their stories. Increasingly, they include characters that are disabled in some way, which is appropriate since—depending on definitions—at least 14% of the US population has a disability. Unfortunately, writers often unwittingly fall back on cliches, stereotypes, and tropes. This session discusses how to approach writing about disability, and the best ways to avoid the pitfalls that have ensnared others.
10:00AM – 10:50AM We've all had Show and Tell, the first moments of our creative lives in which we brought our treasures to 1st grade for all to see. But what if the teddy bear we've brought simply sits on the table in front of the class? Or what if we forget Teddy at home, and--when called forward—must rely on only explication to express our great love for that spit-soaked, dog-bitten artifact who got us through so much trauma, joy, and life? Join me as I take us through an experience in which we see the crucial relationships between showing AND telling, and discover why these two elements of our essay work must be offered in tandem.
11:00AM – 11:50AM In this workshop, we'll explore the rewards and challenges of writing dramatic monologue that reflects historical realities or that moves toward thoughtful reinvention. How do we know we've found a subject whose life has dramatic stature or audience appeal? How can we shape the messy reality of a subject's life into a shapely narrative arc? What ethical questions do we face when adopt another's voice? We'll look at a diverse collection of poems that address these questions and offer strategies we can use in our own practice. Finally, we'll summon some voices of our own using the techniques we've discovered to generate new poetry or flash prose. Participants will leave the session with a new draft, and a set of prompts for future writing.
1:30PM – 2:20PM Be prepared to write to some prompts that depart the linear track, stretch your imagination, and spark new pathways. If you're a fan of literary folks like Kelly Link, George Singleton, Sarah Gailey, Flann O'Brien, Joyelle McSweeney, Jasper Fforde, Lidia Yuknavitch, Lance Olsen, Carole Maso, Jeanette Winterson, or old-school Donald Barthelme, John Barth, Kurt Vonnegut, et al., you've come to the right place!
2:30PM – 3:30PM Do you feel like an imposter in your writing journey, worried that others might not like the real you? This workshop will help you tackle imposter syndrome and its impact on your creativity. We'll explore techniques to embrace your unique voice and style, moving beyond comparisons that hinder your self-esteem. Discover practical steps to connect with your true self and present your authentic self to readers with confidence. Understand that your individuality is a gift, and gain strategies to build self-assurance. Join us to transform intimidation into empowerment and celebrate the unique identity only you bring to your writing.
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